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To routines, trust, and self-confidence? How does it change the basic settings The protagonist in a media scandal affect a person’s everyday life? What happens The questions raised andĪnswered in this book include the following: How does the experience of being
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The existential level of that experience is highlighted by means of theĪpplication of ethnological and phenomenological perspectives to extensiveĮmpirical material drawn from a Swedish context. This book illuminates the personal experience of being at the centre of a media The book concludes with a perspective on Stone’s ‘brand’ as not just an auteur and commercially viable independent filmmaker but as an activist arguing for a very distinct kind of American exceptionalism that seeks a positive role for the US globally whilst eschewing military adventurism. All of this is explored with detailed reference to the films themselves and related to a set of wider concerns that Stone has sought to grapple with -the American Century, exceptionalism and the American Dream, global empire, government surveillance and corporate accountability. The book explores the development of aesthetic changes in Stone’s filmmaking and locates those changes within ongoing academic debates about the relationship between film and history as well as wider debates about Hollywood and the film industry. This allows the authors both to provide a synthesis of earlier and later film work as well as locate that work within Stone’s developing critique of government. Drawing on previously unseen production files from Oliver Stone’s personal archives and hours of interviews both with Stone and a range of present and former associates within the industry, the book employs a thematic structure to explore Stone’s life and work in terms of war, politics, money, love and corporations. This book charts and analyses the work of Oliver Stone – arguably one of the foremost political filmmakers in Hollywood during the last thirty years.